DISC ONE 70 minutes 1. Babe I'm Gonna Leave You (6:58) full band, take eight 2. Babe I'm Gonna Leave You (6:14) full band, take nine 3. You Shook Me (7:53) take one, cut - different arrangement from the album; this has bass and no organ. 4. Baby Come On Home (Tribute To Bert Burns) (8:50) take one - instrumental (0:00 - 1:23) take two - instrumental (1:45 - 2:49) take three - final, uncut recording (3:31 - 8:50) 5. Classical Guitar 'n' Church Organ (15:51) take one (0:00 - 2:41) take two (3:06 - 7:17) take three (7:37 - 12:37) take four (12:59 - 15:47) 6. More Classical Guitar 'n' Church Organ (21:34) take one - church organ intro (0:17 - 0:47) take two - inc. faster guitar (0:55 - 2:02) JP apologizes for messing up take three - inc. Dracula-esque organ (2:18 - 3:55) JP asks what he's doing wrong take four - omenous, distorted organ (4:11 - 6:56) take five - guitar comes in early (7:08 - 11:19) take six - best take yet! (11:36 - 16:31) take seven - glassy distortion on the organ (16:48 - 21:32) 7. Sugar Mama (2:58) completed, mixed studio outtake tracks 1-6: Olympic Studios, London, England (Sept. 20 - Oct. 10, 1968) track 7: Morgan Studios, London, England (June 1969) DISC TWO 1. Jennings Farm Blues (Bron-Yr-Aur Stomp) (24:51) take one - short jam (0:00 - 1:18) take two - jam becoming more like "Bron-Y-Aur Stomp" (1:55 - 3:16) take three - guitar intro --> "Stomp" jam (3:50 - 4:29) take four - guitar intro --> jam (4:36 - 5:22) take five - jam falls apart after the intro (5:26 - 5:42) take six - long cool "Bron-Y-Aur Stomp" jam (5:48 - 10:20) take seven - different jam, ends suddenly (10:31 - 12:40) take eight - short intro --> long jam (12:54 - 16:16) take nine - intro --> "Stomp" jam (16:45 - 17:47) take ten - jam dies quickly (17:58 - 18:20) take eleven - full song with overdubs, licks, solos, percussion (18:30 - 24:45) 2. No Quarter (early rehearsals) (25:06) take one - instrumental, no overdubs/guitar solo (0:00 - 7:24) intro take 1 (7:52 - 8:09) intro take 2 (8:23 - 8:38) take two - instrumental, cool drums, keyboard overdubs (8:42 - 16:25) intro take 3 (17:00 - 17:40) take three - full version with vocals, bass, synth-like guitar solo (17:47 - 25:02) 3. That's The Way (5:34) alternate mix of the final recording 4. Hats Off To (Roy) Harper rehearsal jam (7:04) includes "Feel So Bad", "Fixin' To Die", "That's Alright Mama" and more... 5. Since I've Been Loving You (7:33) unedited, unmixed final recording track 1: Olympic Studios, London, England (Nov. 1969) track 2: Electric Ladyland Studios, New York, NY (June 1972) track 3-5: Headley Grange Studios, Hampshire, England (May-June 1970) DISC THREE DISC THREE 1. Since I've Been Loving You (vocals) (3:03) only Plant's vocals from beginning of the song 2. Moby Dick (1:39) the intro and coda of the song 3. Bonzo! (6:59) unedited drum solo used on "Moby Dick" 4. I Wanna Be Her Man (1:43) 5. Guitar from Bron-Yr-Aur (54:38) take one - calm guitar strumming (0:00 - 0:42) take two - a little fancier (0:42 - 1:53) take three - two guitars (1:53 - 2:37) take four - acoustic guitar with Plant humming (2:37 - 3:43) take A - vaguely "Seaside" on acoustic (3:43 - 4:51) take five - hummed "Seaside" combined with take one (5:00 - 7:20) take six - fast jaunty intro to the take five rhythm (7:20 - 9:38) take seven - loose guitar strum, exotic tuning (9:56 - 11:16) take eight - more messing around, lots of picking (11:16 - 12:58) take nine - long neat song, with overdubbed lead (13:21 - 18:32) take ten - brief rhythm (18:32 - 18:43) take eleven - rhythm and lead become "Down By The Seaside" like (18:43 - 19:56) take twelve - messing around with a lead overdubbed (19:56 - 22:40) take thirteen - new rhythm, bluesy lead, Plant mumbles some vocals (22:40 - 23:50) take fourteen - faster blues... includes "Gallows Pole" at 24:35, then to the "Seaside" chords... more "GP" at around 26:00 (23:50 - 29:50) take fifteen - "Gallows Pole" rhythm continues with a sweet acoustic lead (29:56 - 31:35) take sixteen - calmer "Down By The Seaside" rhythm, nifty lead over a classical rhythm (31:35 - 34:25) take B - short take of "Down By The Seaside" (34:34 - 34:44) take C - more "Seaside", now with Plant singing lyrics (34:44 - 37:49) take D - fast twist part of "Seaside" with lyrics (37:49 - 40:10) take seventeen - more guitar with some Plant vocals (40:10 - 41:55) take eighteen - fast blues with a frenzied lead (41:55 - 43:47) take nineteen - brief vocals, strange strumming (43:47 - 45:16) take twenty - "Stairway To Heaven" intro with piano, no recorders (45:20 - 49:08) take twenty-one - cool piano, acoustic solo, sounds like "Black Dog" rhythm (49:08 - 53:11) take twenty-two - acoustic rehearsal of "Black Dog"! (53:11 - 54:38) 6. Black Dog (acoustic) (:28) track 1: Headley Grange Studios, Hampshire, England (May - June 1970) track 2-3: Mirror Sound Studios, Los Angeles, CA (May 1969) track 4-5: Bron-Yr-Aur Cottage, Wales (May 1970) track 5 (the last three takes - 45:20-54:38)-6: Headley Grange Studios, Hampshire, England (Dec. 1970 - Jan. 1971) DISC FOUR DISC FOUR 1. Guitar From Page (42:57) take one - one guitar, sort of like the "Ten Years Gone" intro (0:00 - 1:25) take two - nice, calm guitar (1:25 - 2:02) take three - slow version of take two (2:02 - 4:09) take four - lots of acoustic diddling, distantly related to "The Rain Song" (4:24 - 6:23) take five - another attempt at take four (6:23 - 7:51) take six - JP plays piano... sounds like "The Rain Song" guitar part too! (7:51 - 10:54) take seven - solo guitar, includes "Ten Years Gone" riff (11:15 - 14:30) take eight - guitar something like "The Rain Song" (14:45 - 15:37) take nine - similar to take eight, even more like "The Rain Song" (15:37 - 17:11) take ten - weird slow acoustic slides like "The Rain Song" (17:11 - 18:18) take eleven - similar to ten (18:18 - 19:58) take twelve - sounds very familiar, but I can't place it! Help! (19:58 - 21:23) take thirteen - heavier acoustic guitar (21:23 - 23:45) take fourteen - solo acoustic "Bolero" jam... very cool! (23:45 - 24:42) take fifteen - one pretty guitar (24:56 - 29:20) take sixteen - early rock sound with a familiar bluesy rhythm (29:51 - 31:23) take seventeen - thick rhythm with a quick solo (31:23 - 33:28) take eighteen - same as take sixteen (33:40 - 35:09) take nineteen - 50s rock rhythm (35:09 - 35:57) take eighteen repeated take twenty - two slithery guitars, starts to head towards "The Rain Song" (36:16 - 37:47) take twenty-one - one guitar strumming (37:47 - 39:25) take twenty-two - carnivalesque piano interlude... played by Page? (39:25 - 39:49) take twenty-three - JP sings! plays guitar! rocks! (39:49 - 42:22) take twenty-four - acoustic take of the fast part of "Hots On For Nowhere" (42:22 - 42:53) 2. Poor Tom (instrumental) (3:18) very warped sound quality 3. Walter's Walk (instrumental) (4:37) instrumental outtake used on "CODA" 4. Guitar (:08) 8 magical seconds! track 1: Jimmy Page's Home Studio / Headley Grange, Hampshire, England (Dec. 1970 - Jan. 1971) track 2: Olympic Studios, London, England (June 5, 1970) track 3: Rolling Stones Mobile Studio, Stargroves, England (May 1972) track 4: unknown DISC FIVE 1. Friends (instrumental) (3:26 2. Immigrant Song (2:40) early rehearsal 3. Out On The Tiles (3:32) early rehearsal 4. Bron-Y-Aur (1:37) with congas and a baby crying 5. Poor Tom (3:20) two takes 6. Hey Hey What Can I Do (1:46) rehearsal 7. Guitar Instrumental (2:15) fun and complete 8. Guitar Instrumental #2 (2:05) quiet, with a distant voice 9. Poor Tom (3:33) Page and Plant demo 10. Guitar Piece (2:05) complete acoustic guitar duet... could have been another "Bron-Y-Ar" 11. Acoustic Duo (1:27) Plant hums along to Page's guitar 12. That's The Way (rehearsals) (9:07) take one - one guitar and Plant... angrier and faster (0:00 - 2:46) take two - similar, with more guitar experimentation (2:50 - 4:22) take three - guitar intro (4:25 - 4:49) take four - guitar from the chorus with Stryder barking! (5:00 - 5:35) take five - almost completed song with finished lyrics (5:40 - 9:07) 13. Friends (instrumental #2) (1:22) with bongos, guitar, and Plant scat-singing 14. Bron-Y-Aur / Guitar Fun (8:28) take one - "Bron-Y-Aur" theme with some different directions (0:00 - 2:20) take two - fancier instrumental, similar to "Bron-Y-Aur" (2:20 - 3:24) take three - very cool, long guitar piece (3:25 - 8:28) 15. Guitar Fun (1:59) two more takes from previous track track 1: Bron-Yr-Aur Cottage, Wales (May 1970) track 2-6: Headley Grange, Hampshire, England (May - June 1970) track 7-15: Bron-Yr-Aur Cottage, Wales (May 1970) DISC SIX 1. Black Dog (6:56) All four members hard at work on figuring out their parts 2. No Quarter (4:05) crazy fast early instrumental with Plant scat-singing and some great drums 3. Stairway To Heaven (instrumental takes) (7:01) Jones on piano and Page on guitar work the song out together 4. Guitar Riff (1:01) where's this from??? 5. Stairway To Heaven (vocal take one) (6:08) 6. Stairway To Heaven (vocal take two) (8:17) 7. The Battle of Evermore (5:45) Plant is rehearsing and figuring out his vocals over the master recording 8. Guitar Instrumental (The Rain Song) (4:18) Parts may have been reused on "Death Wish 2"... at 3:20 sounds like "The Rover". 9. Ten Years Gone (early demos) (7:05) take one - acoustic approximation of "Ten Years Gone" (0:00 - 1:58) take two - acoustic take of "Ten Years Gone" (1:58 - 2:27) take three - similar to take two (2:27 - 3:02) take four - rhythm and lead stuff from "Ten Years Gone" (3:02 - 3:25) take five - further perfecting of "Ten Years Gone" leads (3:25 - 4:16) take six - a different lead lick (4:16 - 4:42) take seven - more lead guitar practice (4:42 - 5:09) take eight - more of the same (5:09 - 5:37) take nine - slow lead over the "Ten Years Gone" rhythm (5:37 - 6:02) take ten - sounds like three guitars (6:02 - 6:36) take eleven - closest take to the album version (6:36 - 7:05) track 1-9: Headley Grange, Hampshire, England (Dec. 1970 - Jan. 1971) DISC SEVEN DISC SEVEN 1. Friends (Bombay rehearsals) (31:39) conversation and noodling around (0:00 - 4:19) take one - slow take with violin, sitar, acoustic guitar, tabla (4:19 - 9:10) more discussions and whistling and stuff (9:10 - 16:00) take two - another rehearsal take, ends early (19:32 - 20:17) more instructions and lots of practising (20:17 - 26:10) take three - another take with cool tabla (26:10 - 31:39) 2. Four Sticks (take one) (4:48) lots of tabla and a little flute, bare instrumental 3. Friends (take five) (4:49) a complete, mixed take of the Bombay experiments... with Plant 4. Friends (take eleven) (4:38) another mixed take from Bombay... with Plant 5. Four Sticks (take two) (2:16) another take with more flute track 1-5: with the Bombay Orchestra, Bombay, India (March 1972) DISC EIGHT 1. Love Me / Frankfurt Special (5:49) soundcheck fragments 2. Sugar Baby (5:04) 3. The Wanton Song (rehearsal) (2:37) 4. The Rover (takes 1 & 2) (8:19) 5. Night Flight (rehearsals) (11:01) 6. School Days (3:08) 7. Nadine (1:00) 8. Round and Round (3:23) 9. Move On Down The Line (2:51) 10. Please Don't Tease (2:41) Often mislabelled as "Love Me Like A Hurricane", this is the correct title. 11. Move It / Dynamite (3:01) 12. Shakin' All Over (2:48) 13. Hungry For Love (2:25) 14. I'll Never Get Over You (2:10) 15. Reelin' and Rockin' (1:43) 16. Surrender / Rock and Roll (3:38) track 1: Old Refectory, Southampton University, Southampton, England (Jan. 22, 1973) tracks 2-16: soundcheck, Chicago Auditorium, Chicago, IL (July 6, 1973) DISC NINE 1. The Wanton Song (rehearsals) / Take Me Home (take one) (5:32) 2. Take Me Home (take two) (4:43) bad-ass rhythm section 3. In The Morning (take one) (6:10) 4. Trampled Under Foot (rehearsals) (18:57) take one - too fast, messy version, different lyrics (0:00 - 2:18) take two - close to take one, falls apart (2:18 - 2:59) discussion and noodling (2:59 - 3:59) take three - funkier version with strange guitar licks (3:59 - 6:36) take four - bare take led by the guitar, not the clavinet (6:50 - 10:48) take five - similar to take four, Plant is distant (10:56 - 13:10) more messing around... cool bassline! (13:10 - 15:22) take six - closer to the album, not perfect... (15:22 - 18:57) 5. In The Morning (take two) (6:01) 6. Sick Again (rehearsal) (3:47) 7. The Rover (acoustic) (1:18) 8. Wacky Rhythm Jam (3:14) 9. In My Time Of Dying (rehearsals) (12:57) take one - fast, sloppy, and funky take with little momentum (0:18 - 0:45) discussion (0:45 - 1:22) take two - sharper main riff, trouble with the bridge (1:22 - 2:14) take three - long take close to final version... very cool! (2:29 - 10:33) more discussion (10:33 - 10:54) take four - Bonham drums a marching beat (10:54 - 11:15) more chatter and some bass noodling (11:15 - 12:23) take five - like take four (12:23 - 12:50) 10. The Wanton Song (radio) (3:56) track 1-9: Headley Grange, Hampshire, England (Nov. 1973 - May 1974) tracks 10: WLIR 92.7, Westbury, NY radio broadcast (spring 1975) DISC TEN DISC TEN 1. Carouselambra (take one) (11:06) instrumental 2. Wearing and Tearing (outtake) (5:57) pretty much identical to "CODA" version 3. Fool in the Rain (outtake one) (6:14) Latin section not yet conceived 4. Hot Dog (outtake) (3:29) final recording without Page's guitar solo 5. In The Evening (outtake) (6:36) similar to the final version, more bass heavy 6. South Bound Saurez (outtake) (4:18) final recording without Page's guitar solo 7. Darlene (outtake) (5:18) longer jam at the end than on "CODA", but close to the same length! Where's the editing? 8. Fool in the Rain (outtake two) (6:19) much of the same recording as on "IN THROUGH THE OUT DOOR" 9. Carouselambra (take two) (8:45) 10. All My Love (alternate mix) (7:55) longer, unedited, alternate mix track 1-10: Polar Studios, Stockholm, Sweden (Nov. - Dec. 1978) DISC ELEVEN DISC ELEVEN 1. White Summer (live take one) (2:23) 2. White Summer / Black Mountain Side (live take two) (6:17) 3. Kashmir (live) (8:32) 4. Achilles Last Stand (live) (10:12) 5. Stairway To Heaven (live) (10:09) 6. Fire (Say You Gonna Leave Me) (4:43) kick ass studio outtake 7. Carouselambra (early rehearsals) (12:34) take one - first section, main riff, vocals, different lyrics (0:00 - 2:53) discussions (2:53 - 3:24) take two - more practice of the song (3:24 - 7:25) discussion and some synthesizer noodling (7:25 - 8:34) take three - still working on the song (8:34 - 12:14) 8. Lucifer Rising (outtakes) (5:12) take one - Page's erratic violin bow/guitar effect --- reused on "Death Wish 2" (0:00 - 1:00) take two - smoother violin bow over spooky rhythm (1:00 - 3:08) take three - Indian sounding violin bow fun (3:10 - 5:08) 9. Royal Orleans (instrumental) (0:18) 10. Tea For One (Hootchie Cootchie) (2:44) 11. Don't Start Me Talkin' / All My Lovin' (4:55) track 1-5: Victoria Theatre, London, England (May 1980) concert rehearsals tracks 6-7: Clearwell Castle, Forest of the Dean, Wales (May 1978) track 8: Boleskine House, Loch Ness, Scotland (Nov. 1975) tracks 9-11: S.R.I. Studios, Hollywood, CA (Nov. 1975)