Intro Blackened For Whom the Bell Tolls Welcome Home (Sanitarium) Harvester of Sorrow The Four Horsemen Jason's solo > To Live Is to Die jam Master of Puppets Fade to Black Seek and Destroy > Twist of Cain jam ...And Justice for All One Creeping Death Kirk'solo > Little Wing jam Battery > The Frayed Ends of Sanity > Mission Impossible jam Last Caress Am I Evil? Damage, Inc. Breadfan (cut) QUALITY: Pretty decent listen, a lot of high end, not much low end. Very little crowd noise. The taper does move around during master which effects the quality some, but once he settles down the recording is fine again. Very little crowd noise near the taper, so that is always nice. Not outstanding quality, but still very enjoyable. Also sounds like the tape is running a little fast - James' voice sounds higher than normal, and runs a bit fast. Seems to get worse during Justice, but better after One. SOURCE: unknown mics > unknown recorder TRANSFER: 1st gen tape > CDR TIME: 112 minutes CORRECT SHOW: Most likely, although he doesn't say Houston anywhere, it's very unlikely this show was mis labeled being a 1st gen source. Definitely the incident in Blackened makes this show easy to not confuse it with another where he doesn't mention the city name. FLAWS: I think it is bells, but there seems to be a patching problem where a part of the song plays, there's a cut, and then the same part plays again. Not a huge problem but just want to mention it. There are a few minor cuts here and there, assume they were for tape flips. The end of Breadfan is cut, probably due to the tape running out. BAND PERFORMANCE: Nice intense performance. Some person throws something at one of the guys during Blackened. It's enough of a disruption that they have to stop the song, and James yells at the guy, and gives the standard speech about having the crowd take care of guys who throw stuff at the band. It takes them a good minute or so to get back on track, but they finish the song and the rest of the show is good.